23,159 Royalty-Free Audio Tracks for "Midi Files Of Music Theory And Analysis"

A sample of clean versus buzz sound (E) on electric guitar. Un exemple de corde qui frise (mi) sur une guitare électrique.

Handel, Messiah, Hallelujah Chorus closing bars

Battements et son résultant (deux embouchures de flûtes à bec)

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Holberg Suite, prelude, bars 1-2, piano version

Wohlbekannte Melodie mit Oktavsprüngen

Debussy, from 'General Lavine - eccentric'

Holberg Suite, prelude bars 31-4 string version

Wohlbekannte Melodie

Debussy, the Snow is Dancing, Bars 34-38

Melodie.linear + Melodie.salical gleichzeitig

The musical rhythm known as son clave. My own work, on 2006-01-08, and public domain.

Franck Violin Sonata first movement, bars 1-8

Deutsch's scale illusion. Two complex melodies are played, first separately from separate channels, then simultaneously.

Holberg Suite prelude bars 1-2 string version

Holberg Suite, Prelude bars 31-4 piano version

Claude LeJeune, Revoici venir du printemps

Mozart, Don Giovanni dances from act 1, scene 5

Ejemplo de batimiento (acústica). Frecuencias: 440 Hz y 339 Hz.Example of beating (acoustic). Frequencies: 440 Hz and 339 HzNederlands: Voorbeeld van zweving (akoestiek). Frequencies: 440 Hz en 339 Hz

Rauhigkeit 1 Apser = Sinus 1000 Hz und Sinus 1070 Hz gleichzeitig.The sound of a harshness of 1 asper = a sine wave tone of 1000 Hz 100 % modulated with a sine wave tone of 70 Hz at 60 dB sound pressure.

Rebel, les Elemens, opening

Theme by Anton Diabelli

Beethoven, Diabelli Variation No. 13

Wagner, Rheingold, Scene 4

Wagner, Tristan, Liebestod closing bars

Wagner, Parsifal prelude closing bars

Mahler Symphony No. 10 Adagio bars 201-213

Chopin Prelude No. 15, bars 28-29

Debussy la Fille aux cheveux de lin, opening bars

Wagner Sleep music from Act 3 of Die Walkure

Chopin Fantaisie in F minor, Op.49

The closing bars of String Quartet in E flat, Op. 33 by Haydn

Wagner, Gotterdamerung, transition between the end of the Prologue and Act 1 scene 1

Chopin Fantaisie in F minor

Debussy, La Fille aux cheveux de lin, bars 26-29

An ascending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff similar to the descending fifths sequence, except going in the opposite direction.

Beethoven's retrograde version of his fugue subject (Hammerklavier Sonata)

Don Giovanni, Overture bars 85-99

Mozart, from Piano Sonata K310, first movement

Symphony IV canonic passage from the 1st movement

Mozart Minuet from Trio K498, bars 94-100

Mozart Minuet in F K5

Mozart, Symphony 41, finale, bars 190-199Mozart, Symphony 41, finale, bars 190-199

Mozart, from Piano Concerto No. 21, K465

Mozart Romanze from Piano Concerto 20

Symphony No. 6, fourth movement, bars 146-155

Beethoven Appassionata Sonata 3, final bars of andante

Mozart Symphony 41, finale, fugal passage

Don Giovanni Overture bars 133-141 reduced score

Mozart piano sonata K332 excerpt